The workshop in Dheri Shah, Taxila, is filled with the scent of turpentine and plaster as Ishfaq Ahmed Siddiqui meticulously paints delicate motifs on objects made from plaster of Paris. In a fading tradition, Siddiqui channels the ancient spirit of Taxila, once known for its artistic brilliance and Buddhist heritage.

Originally called Takshashila, Taxila was a Buddhist hub from the 5th century BCE to the 6th century CE. While traditional potters in the region used clay, Siddiqui turned to plaster of Paris due to climate change affecting clay availability and costs.

Despite initial skepticism, Siddiqui's unique creations quickly gained popularity. His intricate floral motifs draw inspiration from nature and history, embodying the rich artistic legacy of Taxila.

Renowned cultural expert Uxi Mufti emphasized the historical significance of Siddiqui's work, connecting it to a long tradition of floral motifs in South Asian and Islamic art. The tradition of using plaster in art dates back to ancient times, with Siddiqui preserving this cultural heritage.

While machines threaten the survival of handcrafted work, artisans like Siddiqui play a crucial role in maintaining historical techniques and aesthetic sensibilities. Despite dwindling orders and lack of interest from younger generations, Siddiqui remains dedicated to his craft, keeping the ancient culture of Taxila alive through his art.